The hegemony of Creole oligarchy in Peruvian society favored the abandonment of indigenous forms in favor of European ones. Particularly successful among these were the imitation of Petrarch and the use of Greek and Roman mythological allusions, as practiced by the Academia Antártica literary group in Lima in the 16th and 17th Centuries. Early writers associated with the Academia include Francisco de Figueroa, Diego Mexía de Fernangil, and the anonymous poetesses remembered only as "Clarinda" and "Amarilis". Later Neoclassicists, such as Manuel Asencio y Segura and Felipe Pardo y Aliaga, arose, too, and the genre dominated until the end of the 19th century.
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